Stiller Designs – Tales from the woodcarving bench

July 13, 2010

Focus, focus and yet more focus

Ideas prompt bag and beech tiles

Ideas prompt bag and beech tiles

In the coming couple of months I have two shows with the Sussex Guild (of which I am a member, more on these as they occur) and an exhibition with 3 other artists locally; my first ever art show as far as I can remember. I have also found another couple of exhibitions that I would like to submit some work to to see if it gets accepted, a slightly different direction from most of the work that I currently do.

I do often have a hard time concentrating as I am easily distracted, I have a good flow of ideas and they have the ability to pull me away from what I am working on to ‘just try it to see if it works’. So I spend quite a bit of my time trying to focus in on what I’m doing. I have learned to write my ideas down and maybe do a little working on paper, but more than that I try not to do. I do, however, find it quite difficult.

The awkwardness comes when I then need to produce work for a show or exhibition as I just don’t know which idea to pick first – I know not a bad situation to be in, I’m not complaining honest! Thing is I can then spend ages weighing up the pros and cons of each without actually getting anything done, not helpful when you have deadlines approaching.

So the other day I came up with a bit of an idea which may or may not work (once I’ve used it for a while I’ll know, if I don’t use it I guess that will speak volumes too!). I had some very fine offcuts from a few beech frames I made the other day, usually when the offcuts are that thin they just end up in the burning box as they make excellent kindling for our fire. Something told me to put these to one side, I had no inkling why at the time.

For some reason I decided that I need the decision taking out of my hands – I can be incredibly indecisive and that is one of my biggest time wasters – and then the idea popped into my head to have small pieces of something with words on that could prompt the direction I would take with the work. Immediately I thought of those pieces of beech.

I got them home then realised I had nothing there to cut them with – a pair of pruners later and I had a little pile of small pieces of beech waiting for their words. To start with I put on words that popped straight into my head, things that are inspiring me at the moment but I also included things that I could possibly make. I have left these words as open as I can giving myself ultimate room to move. I then went through my current two sketch books and wrote down words that correspond with the ideas contained within, hopefully if I take one of those tiles out of the bag I’ll relate back to the sketch books, but nothing is a certainty!

My first thought was that the container the tiles are in should be something that I already have (trying to save time here – making progress I think), I tried a sock ( I have socks on the brain at the moment as will be seen in the future in some work I have planned) but I couldn’t get to the tiles very easily. Then I found a bag I had crocheted many moons ago and they fit in there very well as can be seen in the photo above. I can also carry this bag with me very easily so that I can constantly add to the tiles when I think of a new inspiration.

All I have to do now is start using it.

Luckily tonight I’ve been getting on with some designs for a few new Art Nouveau frames. I have some that I am happy with, the hard part will be deciding which one to try first.

I’ll let you know how it goes.

What methods do you use to help you focus?

June 23, 2010

Carving is sometimes like waiting for a bus….

…. nothing comes along for ages and then 3 come along at once.

I know you’re thinking thats a bit of an odd thing to say, its not that I’m saying that carvingĀ  jobs are rare, more that the same kind job never usually comes along twice in a row.

Ok so I mainly carve picture frames so technically I’m doing the same job time after time but the patterns and sizes are constantly changing. Out of 3 jobs I have completed recently two have been for egg n dart carving, admittedly one was for the edge of an oak table top seen here , the other was lengths for the pediment at the top of a couple of doors for a museum in London.

This image shows the end of the run of egg n dart as it is about to go round the corner so the final egg has a leaf design on it, probably orginally to hide the fact that it was a different size to the others in the length. I worked mainly from photographs and a site visit, but as I am a coward and really don’t like ladders I couldn’t climb the tall ladder to get a good look at the originals as they are deceptively high up!

Egg n Dart carving in Utile

Egg n Dart Carving in Utile

I have never carved in Utile before and it wasn’t a particularly pleasant experience ( I have another tale to tell on this subject with another part of this job but it will have to wait until another post).

I had to make sure that my gouges were especially sharp and kept well honed in order to cut throught the wood cleanly (thanks to a helpful hint from a contact on Twitter!). I think that they turned out quite well in the end.

On the plus side my client was very pleased with the job, and so was their client. The lengths also look good with all the rest of the joinery, I can’t wait to see them in situ, I’ll see if I can get some pics once they’re up.

June 18, 2010

Art Nouveau lovelies

I work a lot from samples when making frames, usually small pieces of frames no more than about 6 inches long that give me enough information to make the whole frame. Every now and then I get given a whole frame and am asked to replicate it either as is or making adjustments especially if the new frame is to be bigger or smaller than the original.

These Art Nouveau frames come from one such job. I was given the original frame and asked to make one smaller and one larger and adjust the frame design as necessary.

Art Deco original frame
The original Art Nouveau frame I was given

As you can see the original frame has flowers on it and is gilded, the two new ones do not have the flowers and are to be polished as they are. They are carved in Jelutong.

Small Art Deco frame in Jelutong

The smaller Art Nouveau frame in Jelutong

Larger Art Deco frame in Jelutong

Larger Art Nouveau Frame in Jelutong

Both Art Deco frames together

Both Art Nouveau frames together

I think that pictures can sometimes be deceptive thats why I took the third shot of both frames together as from the other two images you might think that they were the same size. In fact the smaller is 10 x 7 inches and the larger is 16 x 15 inches.

I’m very pleased with the way they have turned out.

I’d love to hear what you think of them, please leave me a comment and let me know what you think.

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